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Charles Ritchie



Sunday, November 22, 2009

The Washington Post: "Head North and Follow the Signs of Contemporary Times"
Blake Gopnik

November 2008
The Philadelphia Inquirer: "Through his window, a distinctive view"
Edith Newhall

November 2008
Philadelphia City Paper: "First Friday Focus: Charles Ritchie at Gallery Joe"
Lori Hill

June 2007
The New York Times: "Last Chance: Mequitta Ahuja and Charles Ritchie"
Holland Cotter

Spring 2007
The Washington Print Club Quarterly: "Franz and Virginia Bader Fund Nurtures Mid-Career Artists"
Joan Pinkerton Filson

January 2007
The Washington Post: "The Quiet Pull of the 'Bader Fund' Show at the Luther W. Brady Art Gallery, George Washington University"
Michael O'Sullivan

September 2006
Mountain XPress: "Slow Hand"
Connie Bostic

March 2006
The Philadelphia Inquirer: "Nicole Phungrasamee Fein and Charles Ritchie at Gallery Joe. Two fine painters, one show"
Edith Newhall

2006
The Cartin Collection, catalog: "Charles Ritchie"

November 2005
Philadelphia Weekly: "Not So Sketchy: Artists prove watercolor is suitable for 'serious' art too."
Roberta Fallon

March 2005
Baltimore Sun: "Ritchie Gives Familiar Suburbs an Artist's Touch"
Glenn McNatt

March 2005
Baltimore Magazine: "Catch it: Charles Ritchie"
Kara Amedori

March 2005
Baltimore City Paper: "Night Moves: Charles Ritchie Finds Glimmers of Meaning in the Darkness of Suburbia"
Bret McCabe

April 2004
Richmond Style Weekly: "Sleepwalking in the Suburbs: An artist awakens after years of practice looking"
Paulette Roberts-Pullen

September-October 2002
Art on Paper: "Working Proof: Charles Ritchie"

2000
Boston artsMEDIA: "Pressing Matters: Center Street Studio"
Loren King

March-April 1999
Art on Paper: "Working Proof: Charles Ritchie"

March-April 1998
Articulate: "Karen Holzberg, Charles Ritchie, Numark Gallery, Washington DC"
Kurt Godwin

January 1998
The Washington Post: "Holzberg and Ritchie at Numark"
Ferdinand Protzman

September-October 1996
On Paper: "Charles Ritchie"

June 1996
The Washington Post: "Minimalists with Maximum Skill"
Ferdinand Protzman

March-April 1996
The Print Collector's Newsletter: "Charles Ritchie"

July-August 1994
Norfolk City Magazine: "A Peach of a Leache"
Brian Pappas

July 1994
Virginian-Pilot and The Ledger-Star: "Visions of inner and outer worlds"
Teresa Annas

June 1993
Hampton Daily Press: "At a Glance: Ordinary View Assumes Epic Proportions"
Mark St. John Erickson

February 1993
Richmond Times-Dispatch: "From the ordinary, pure poetry"
CeCe Bullard

1993
Richmond Style Weekly: "Home-Made Art: Charles Ritchie elevates the objects of middle-class domesticity"
Paulette Roberts-Pullen



   
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